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Kamis, 14 Juni 2012

Love Story - Taylor Swift

We were both young when I first saw you
I close my eyes and the flashback starts
I’m standing there on a balcony in summer air
See the lights, see the party, the ball gowns
See you make your way through the crowd
And say hello, little did I know

That you were Romeo
You were throwing pebbles
And my daddy said stay away from Juliet
And I was crying on the staircase
Begging you please don’t go
And I said
Romeo, take me somewhere we can be alone
I’ll be waiting, all there’s left to do is run
You’ll be the prince and I’ll be the princess
It’s a love story, baby, just say yes
So I sneak out to the garden to see you
We keep quiet ’cause we’re dead if they knew
So close your eyes, escape this town for a little while
Oh, oh, oh
‘Cause you were Romeo,
I was a scarlet letter
And my daddy said stay away from Juliet
But you were everything to me
I was begging you please don’t go
And I said
Romeo, take me somewhere we can be alone
I’ll be waiting, all there’s left to do is run
You’ll be the prince and I’ll be the princess
It’s a love story, baby, just say yes
Romeo, save me, they’re trying to tell me how to feel
This love is difficult, but it’s real
Don’t be afraid, we’ll make it out of this mess
It’s a love story, baby, just say yes
Oh oh
I got tired of waiting
Wondering if you were ever coming around
My faith in you was fading
When I met you on the outskirts of town
And I said
Romeo save me, I’ve been feeling so alone
I keep waiting for you but you never come
Is this in my head, I don’t know what to think
He knelt to the ground and he pulled out a ring
And said
Marry me, Juliet, you’ll never have to be alone
I love you and that’s all I really know
I talked to your dad, you’ll pick out a white dress
It’s a love story, baby, just say yes
Oh, oh, oh, oh
‘Cause we were both young when I first saw you

Lübeck


The area around Lübeck was settled after the last Ice Age. Several Neolithic dolmens can be found in the area.
Around AD 700 Slavic peoples started coming into the eastern parts of Holstein which had previously been settled by Germanic inhabitants and were then evacuated in the course of the Migration Period. In the early 9th century Charlemagne, whose attempts to Christianise the area were opposed by the Saxons, moved the Saxons out and brought in Polabian Slavs, allied to Charlemagne, in their stead. Liubice ("lovely") was founded on the banks of the river Trave about four kilometres north of the present-day city centre of Lübeck. In the 10th century it became the most important settlement of the Obotrite confederacy and a castle was built. The settlement was burned down in 1128 by the pagan Rani from Rügen.
The modern town was founded by Adolf II, Count of Schauenburg and Holstein, in 1143 as a German settlement on the river island Bucu. He established a new castle which was first mentioned by Helmold in 1147. Adolf had to cede the castle to Henry the Lion in 1158. After Henry's fall from power in 1181, the town became an Imperial city for eight years.[citation needed] Emperor Barbarossa ordained that the city should have a ruling council of twenty members. Being dominated by merchants, it meant Lübeck's politics were dominated by trade interests for centuries to come. The council survived into the 19th century.
The town and castle changed ownership for a period afterwards and were part of the Duchy of Saxony until 1192, of the County of Holstein until 1217 and part of Denmark until the Battle of Bornhöved in 1227.
Lübeck's seal, 1280
Around 1200 the port became the main point of departure for colonists leaving for the Baltic territories conquered by the Livonian Order and, later,Teutonic Order. In 1226 Emperor Frederick II elevated the town to the status of an Imperial Free City, by which it became the Free City of Lübeck. In the 14th century Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of this mediaeval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with VeniceRomePisa andFlorence. Several conflicts about trade privileges were fought by Lübeck and the Hanseatic League against Denmark and Norway with varying outcomes. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in the Count's Feud, a civil war that raged in Denmark from 1534 to 1536. Lübeck also joined the Schmalkaldic League.
After its defeat in the Count's Feud, Lübeck's power slowly declined. The city managed to remain neutral in the Thirty Years' War, but with the devastation caused by the decades-long war and the new transatlantic orientation of European trade, the Hanseatic League and thus Lübeck lost importance. However, after the Hanseatic League was de facto disbanded in 1669, Lübeck still remained an important trading town on the Baltic Sea.
The great Danish-German composer Dieterich Buxtehude (born in what is present-day Sweden) became organist at the Marienkirche in Lübeck in 1668 and remained at the post until at least 1703.
In the course of the war of the Fourth Coalition against Napoleon, troops under Bernadotte occupied the neutral Lübeck after a battle against Blücher on November 6, 1806. Under the Continental System, the bank went into bankruptcy and from 1811 to 1813 Lübeck was formally annexed as part of France until the Vienna Congress of 1815.
In 1937 the Nazis passed the so-called Greater Hamburg Act, whereby the nearby Free and Hanseatic City of Hamburg was expanded, to encompass towns that had formally belonged to the Prussian province of Schleswig-Holstein. To compensate Prussia for these losses (and partly because Hitler had a personal dislike for Lübeck after it had refused to allow him to campaign there in 1932[3]), the 711-year-long independence of Lübeck came to an end and almost all its territory was incorporated into Schleswig-Holstein.
Lübeck, 15th century
Lübeck in 1641
During World War II, Lübeck was the first German city to be attacked in substantial numbers by the Royal Air Force. The attack on 28 March 1942 created a firestorm, that caused severe damage to the historic centre and the Bombing of Lübeck in World War II destroyed three of the main churches and greater parts of the built-up area. A POW camp for officers, Oflag X-C, was located near the city from 1940 until April 1945. Lübeck was occupied without resistance by the British Second Army on 2 May 1945.
On 3 May 1945, one of the biggest disasters in naval history occurred in the Bay of Lübeck when RAF bombers sank three ships - the SS Cap Arcona, the SS Deutschland, and the SS Thielbek - which, unknown to them, were packed with concentration-camp inmates. About 7,000 people were killed.
Lübeck's population grew considerably from about 150,000 in 1939 to more than 220,000 after the war, owing to an influx of refugees expelled from the former Eastern provinces of Germany.
Lübeck remained part of Schleswig-Holstein after the war (and consequently lay within West Germany) and was situated directly on the inner German border during the division of Germany into two states in the Cold War period. South of the city the border followed the path of the river Wakenitz that separated both countries by less than 10 m (32.81 ft) in many parts. The northernmost border crossing was in Lübeck's district of Schlutup. Lübeck's restored historic city centre became a UNESCO World Heritage Site in 1987.
Lübeck was the scene of a notable art scandal in the 1950s. Lothar Malskat was hired to restore the medieval frescoes of the cathedral of the Marienkirche in Lübeck, which were discovered inside the walls after the cathedral had been badly damaged during World War II. Instead he painted new works which were passed off as restorations, fooling many experts. The West German government printed 2 million postage stamps depicting the frescoes. Among Malskat's additions were wild turkeys, unknown in Europe during the Middle Ages. Some experts considered this evidence for the early discovery of America by the Vikings. Malskat later exposed the deception himself. The incident plays a prominent role in Günter Grass's novel The Rat.
On the night of January, 18th 1996 a fire broke out in a home for foreign refugees, killing 10 people and severely injuring more than 30 others, mostly children. While most of the shelter's inhabitants considered a racist motivation for the attack obvious, the police and the local court have been accused of having ruled out racism as a possible motive before even beginning preliminary investigations. The incident has not been elucidated to this day.

Senin, 28 Mei 2012

Gippsland Lakes

The Gippsland Lakes are a network of lakes, marshes and lagoons in east Gippsland, Victoria, Australia covering an area of about 600 km2. The largest of the lakes are Lake Wellington (Gunai language: Murla[1]), Lake King and Lake Victoria. They are fed by the Avon, Thomson, Latrobe, Mitchell, Nicholson and Tambo rivers.


History

The lakes were formed by two principal processes. The first is river delta alluvial deposition of sediment brought in by the rivers which flow into the lakes. Silt deposited by this process forms into long jettys which can run many kilometres into a lake, as exemplified by the Mitchell River silt jetties that run into Lake King. The second process is the action of sea current in Bass Strait which created the Ninety Mile Beach and cut off the river deltas from the sea.
Once the lakes were closed off a new cycle started, whereby the water level of the lakes would gradually rise until the waters broke through the barrier beach and the level would drop down until it equalised with sea-level. Eventually the beach would close-off the lakes and the cycle would begin anew. Sometimes it would take many years before a new channel to the sea was formed and not necessarily in the same place as the last one.
In 1890 a wall was built to fix the position of a naturally occurring channel between the lakes and the ocean at Lakes Entrance, to stabilise the water level, create a harbour for fishing boats and open up the lakes to shipping. This entrance needs to be dredged regularly, or the same process that created the Gippsland Lakes would render the entrance too shallow for seagoing vessels to pass through.
Due to the flooding, in 2011, Gippsland Lakes were experiencing bioluminescence.

Sabtu, 26 Mei 2012

Rocketeer - Far East Movement


Here we go, come with meThere's a world out there that we should seeTake my hand, close your eyesWith you right here, I'm a rocketeer
Let's fly...Up, up here we go, goUp, up here we go, goLet's fly...Up, up here we go, goWhere we stop nobody knows, knows
Where we goin' we don't need roads, roadsAnd where we stop nobody knows, knowsTo the stars if you really want itGot, got a jetpack with your name on itAbove the clouds in the atmosphere, phereJust say the words and we outta here, outta hereHold my hand if you feeling scared, scaredWe flying up, up outta here
Here we go, come with meThere's a world out there that we should seeTake my hand, close your eyesWith you right here, I'm a rocketeer,
Let's fly...Up, up here we go, goUp, up here we go, goLet's fly...Up, up here we go, go,Where we stop nobody knows, knows
[ From: http://www.metrolyrics.com/rocketeer-lyrics-far-east-movement.html ]Baby, we can stay fly like a G6Shop the streets of Tokyo, get you fly kicksGirl you always on my mind, got my head up in the skyAnd I'm never looking down feeling priceless, yeahWhere we at, only few have knownGo on the next level, Super MarioI hope this works out, Cardio'Til then let's fly, Geronimo
Here we go, come with meThere's a world out there that we should seeTake my hand, close your eyesWith you right here, I'm a rocketeer
Nah, I never been in space beforeBut I never seen a face like yoursYou make me feel like I could touch the planetsYou want the moon, girl watch me grab itSee I ain't never seen the stars this closeYou got me struck by the way you glowI'm like, oh, oh, oh, ohI'm like, oh, oh, oh, oh
Here we go, come with meThere's a world out there that we should seeTake my hand, close your eyesWith you right here, I'm a rocketeer
Let's fly...Up, up here we go, goUp, up here we go, goLet's fly...Up, up here we go, goWhere we stop nobody knows, knows, knows

Kamis, 24 Mei 2012

O Ulate Lyric from Maluku


O ulate tanjung o ulate
Tanjung sibarane tanjungo ulate
Satu dua tiga dan empat
Lima anam dikayumanis
Sinyo ambon hitam dan manis
Kalau ketawa manis sekali

O ulate tanjung o ulate
Tanjung sibarane tanjung o ulate
Kalau ada sumur dilandang
Boleh beta menumpang mandi
Kalau ada umurlah panjang
Boleh beta bertemu lagi

Senin, 23 April 2012

Kecak



Hanoman Kecak Dance Uluwatu sunset.jpg
Kecak (pronounced [ˈketʃaʔ], alternate spellings: Ketjak and Ketjack) is a form of Balinese dance andmusic drama, originated in the 1930s Bali and is performed primarily by men, although a few women's kecak groups exist as of 2006.[1]
Also known as the Ramayana Monkey Chant, the piece, performed by a circle of 150 or more performers wearing checked cloth around their waists, percussively chanting "cak" and throwing up their arms, depicts a battle from the Ramayana where the monkey-like Vanara helped Prince Ramafight the evil King Ravana. However, Kecak has roots in sanghyang, a trance-inducing exorcismdance.[2]

History

Kecak was originally a trance ritual accompanied by male chorusGerman painter and musicianWalter Spies became deeply interested in the ritual while living in Bali in the 1930s and worked to recreate it into a drama, based on the Hindu Ramayana and including dance, intended to be presented to Western tourist audiences. This transformation is an example of what James Clifford describes as part of the "modern art-culture system"[3] in which, "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art' which was once embedded in the culture as a whole, into a separate entity."[4] Spies worked with Wayan Limbak and Limbak popularized the dance by traveling throughout the world with Balinese performance groups. These travels have helped to make the Kecak famous throughout the world.
A Kecak dance being performed at Uluwatu, in Bali
Music of Indonesia
Traditional indonesian instruments04.jpg
Gongs from Java
Timeline • Samples
Genres
Specific forms
Regional music
A Kecak dance being performed at Kolese KanisiusJakarta
Performer, choreographer, and scholar I Wayan Dibiacites a contrasting theory that the Balinese were already developing the form when Spies arrived on the island.[5] For example, well-known dancer I Limbakhad incorporated Baris movements into the cak leader role during the 1920s. "Spies liked this innovation," and it suggested that Limbak, "devise a spectacle based on the Ramayana," accompanied by cak chorus rather than gamelan, as would have been usual.[2]
  • The 1971 version of Kenneth Anger's Rabbit's Moon incorporates Kecak into the soundtrack.
  • Footage of a kecak performance is prominently featured in Ron Fricke's 1992 film Baraka.
  • A kecak chant can be heard in Federico Fellini's classic 1969 film Satyricon. It was probably sampled from David Lewiston's 1969 LP of Balinese music entitled Golden Rain, released on the Nonesuch Explorer Series.
  • Dagger of Kamui (Kamui no Ken), an anime film released in 1985, incorporates kecak in its score, often in action scenes involving shinobi.
  • Kecak chanting is incorporated into the soundtrack for the Japanese animated film Akira(1988), which also uses the Indonesian gamelan prominently.
  • Kecak is heard in I Never Promised You a Rose Garden during fantasy sequences taking place in the heroine's paracosm.
  • A Kecak-style dance and chant can be seen in the fantasy portion of Tarsem Singh's filmThe Fall (2006), in which the Balinese actors incorporated words to describe the map being drawn.
  • John Adams' "A Flowering Tree," 2006. Kumudha and the beggar minstrels in Act II is based on the Kecak. (Cincinnati Opera pre-performance interview with the composer, 30 June 2011.)
  • A sample of Kecak chanting kicks off The Pop Group's 1980 album For How Much Longer Do We Tolerate Mass Murder?
  • There is a sample of Kecak chanting on "The Wind Chimes" from Mike Oldfield's 1987 album Islands.
  • The San Francisco Art Rock band Oxbow's song Daughter from their 1991 album King of the Jews incorporates Kecak-inspired polyrhythmic chanting and clapping throughout.
  • Mike Patton performs a Kecak-like chant that is incorporated in the song "Goodbye Sober Day" on the 1999 Mr. Bungle album California. Patton had previously performed a similar passage of rhythmic chanting in the Faith No More song "Got That Feeling," from their 1997 Album of the Year.
  • A song from the debut album by musical group Hercules and Love Affair has an intro in the style of Kecak chanting.
  • A sample of Kecak chanting can be heard in the song "Soldier of Fortune" from Manhattan Transfer's album Bodies and Souls.
  • A sample of Kecak chanting can be heard in the Devo song Jocko Homo.
  • A sample of Kecak chanting can be heard near the end of the Nurse With Wound track "I Am Blind" from the album Homotopy to Marie.
  • David Attenborough's 1969 documentary for the BBC The Miracle of Bali on the arts in Bali featured the kecak in both the 1st and 3rd episodes.
  • A Kecak dance is performed in a Season 2 episode of MTV's Wildboyz, with Chris Pontius and Steve-O participating in the ritual during their stay in Indonesia.
  • Kecak chanting forms the basis of the song "The Oracle" in the Super NES video game Secret of Mana.
  • Kecak chanting is featured in the song "Kecak" in the Japanese music video game beatmania IIDX 11 – IIDX RED. Samples for this song are taken from Fellini's "Satyricon."
  • Kecak is a mini-game in Capcom's Breath of Fire IV video game for PlayStation. The player mimics the chants by timing button presses corresponding to the screen.
  • Kecak chanting is used as theme music for one of the unlock able enemy generals in the Atari game "Risk".
  • Ketjak is a book-length poem by Ron Silliman published in 1978 and reprinted in The Age of Huts (2007), in which the author gives the title "Ketjak" to a vast ongoing cycle of works which includes Tjanting (1980) and The Alphabet (2008).
  • RMB, a famous music formation in the nineties, also sampled tunes from Kecak in their track called "Chakka chakka".